TORONTO (AP) 鈥 Marsha Hunt, one of the last surviving actors from Hollywoodsa国际传媒 so-called Golden Age of the 1930s and 1940s who worked with performers ranging from Laurence Olivier to Andy Griffith in a career disrupted for a time by the McCarthy-era blacklist, has died. She was 104.
Hunt, who appeared in more than 100 movies and TV shows, died Wednesday at her home in Sherman Oaks, California, said Roger Memos, the writer-director of the 2015 documentary 鈥淢arsha Huntsa国际传媒 Sweet Adversity."
A Chicago native, she arrived in Hollywood in 1935 and over the next 15 years appeared in dozens of films, from the Preston Sturges comedy 鈥淓asy Living鈥 to the adaptation of Jane Austensa国际传媒 鈥淧ride and Prejudice鈥 that starred Olivier and Greer Garson.
She was well under 40 when MGM named her 鈥淗ollywoodsa国际传媒 Youngest Character Actress.鈥 And by the early 1950s, she was enough of a star to appear on the cover of Life magazine and seem set to thrive in the new medium of television when suddenly 鈥渢he work dried up,鈥 she recalled in 1996.
The reason, she learned from her agent, was that the communist-hunting Red Channels publication had revealed that she attended a peace conference in Stockholm and other supposedly suspicious gatherings. Alongside Hollywood stars Lauren Bacall, Humphrey Bogart and Danny Kaye, Hunt also went to Washington in 1947 to protest the House Un-American Activities Committee, which was conducting a witch hunt for communists in the film industry.
鈥淚鈥檇 made 54 movies in my first 16 years in Hollywood,鈥 Hunt said in 1996. 鈥淚n the last 45 years, I鈥檝e made eight. That shows what a blacklist can do to a career.鈥
Hunt concentrated on the theater, where the blacklist was not observed, until she began occasionally getting film work again in the late 1950s. She appeared in the touring companies of 鈥淭he Cocktail Party,鈥 鈥淭he Ladysa国际传媒 Not for Burning鈥 and 鈥淭he Tunnel of Love,鈥 and on Broadway in 鈥淭he Devilsa国际传媒 Disciple,鈥 "Legend of Sarah鈥 and 鈥淭he Paisley Convertible.鈥
Marcia Virginia Hunt (she changed the spelling of her first name later) was born in Chicago and grew up in New York City, daughter of a lawyer-insurance executive and a voice teacher. Slender and stylish, with a warm smile and large, expressive eyes, Hunt studied drama and worked as a model before making her film debut.
An early marriage to director Jerry Hopper ended in divorce. In 1948 she married film writer Robert Presnell Jr., and they had one daughter, who died soon after her premature birth. Her husband died in 1986.
Hunt's first movie was 1935鈥瞫 鈥淭he Virginia Judge.鈥 She went on to play demure roles in a series of films for Paramount, including 鈥淭he Accusing Finger鈥 and 鈥淐ome on Leathernecks,鈥 but, as she told The Associated Press in 2020, she was tired of 鈥渟weet young things鈥 and begged for more substantial work.
Hollywood proved a painful education. In 鈥淢arsha Huntsa国际传媒 Sweet Adversity,鈥 she remembered almost getting the part of Melanie Wilkes in 鈥淕one with the Wind,鈥 even being assured by producer David O. Selznick. Within days, Olivia de Havilland was announced as the actor who would play Melanie for the 1939 epic.
鈥淭hatsa国际传媒 the day I grew up,鈥 Hunt said in the documentary. 鈥淭hatsa国际传媒 the day I knew I could never have my heart broken again by this profession of acting.鈥
She left Paramount for MGM around the time of 鈥淕one with the Wind鈥 and had lead or supporting roles in 鈥淭hese Glamour Girls,鈥 鈥淔light Command鈥 and 鈥淭he Human Comedy鈥 among other movies.
鈥淢GM was sheer magic,鈥 she recalled in a 2007 Associated Press interview. 鈥淲hen I arrived at the studio for a one-day role, they parked my car. I went on the set and found a directorsa国际传媒 chair with a sign on it, 鈥楳iss Hunt.鈥 Another sign was on my dressing room.
"I said to myself, 鈥楢ny studio that treats a one-day player that way, really knows how to make pictures.鈥 They won my loyalty.鈥
Work unraveled quickly after she openly embraced liberal causes, such as joining the 1947 protest against congressional hearings on the reputed communist influence in Hollywood.
鈥淚 was never a communist or even interested in the communist cause,鈥 she declared in 1996. 鈥淚 was a political innocent defending my industry.鈥
With a couple of exceptions, such as producer Stanley Kramersa国际传媒 1952 family comedy 鈥淭he Happy Time,鈥 she was unseen on the big screen for most of the 1950s. She later appeared in many TV series, including 鈥淢y Three Sons,鈥 鈥淢atlock,鈥 鈥淎ll in the Family鈥 and 鈥淢urder, She Wrote.鈥
She remained vigorous and elegant in old age. In 1993, she put out 鈥淭he Way We Wore: Styles of the 1930s and 鈥40s and Our World Since Then,鈥 a lavishly illustrated book of the fashions during her Hollywood heyday.
A lifelong political activist, Hunt had a brush with terror in 1962 when she took part in a forum on right-wing extremists and two other participants鈥 homes were damaged by homemade bombs the very same evening.
鈥淭he ashen-faced actress said her home probably escaped the bomb attack only because the terrorists were unable to find out where she lived,鈥 the Los Angeles Times reported. Police were sent to guard her home.
More recently, she helped create a refuge for the homeless in Los Angeles鈥 Sherman Oaks neighborhood, where she lived and was feted with the title honorary mayor.
Looking back on her activist years, Hunt remarked in 1996: 鈥淚 never craved an identity as a figure of controversy. But having weathered it and found other interests in the meantime, I can look back with some philosophy.鈥
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This story has been corrected to fix the spelling of Humphrey Bogart's first name.
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The late Associated Press writer Bob Thomas contributed to this obituary.
